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“Cinema, Poetry, and Trains in Tîrgu Neamț” might serve as the subtitle for this film, which Copel Moscu composes in a deliberately atomised manner, capturing the rhythm of a small provincial town in late-1980s Romania: cinema as escapism, pouring rain à la George Bacovia, and a vague love story between a woman projectionist and a railwayman come one after the other over the course of this somewhat comical elegy, whose meanings do not achieve the poignant depths of Moscu’s other films.
January 1, 1988
Studioul "Alexandru Sahia"

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