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Beginning as a city-symphony of Newark streets, buildings, and people set to wordless chanting, The New-Ark quickly arrives at its political imperatives: Black Power must be accomplished through nationalism, and "a nation is organization." The film focuses on black education, urban public theater, and political consciousness-raising inside and outside of Spirit House - director Amiri Baraka's Black nationalist community center.
$19,000
February 1, 1969
NET, Harlem Audio-Visual
2 people

Amiri Baraka
Self
Writing
Maulana Karenga
Self
Acting

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