
A calm look at the repetitions and disjunctions of a man’s working and at home life.
Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.
September 20, 2022
1 person

Max Devereaux
Man
Directing

2002

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